Cineverse Corp. 10-Q

ITEM 2. MANAGEMENT’S DISCUSSION AND ANALYSIS OF FINANCIAL CONDITION AND RESULTS OF OPERATIONS The following discussion and analysis should be read in conjunction with our historical consolidated financial statements and the related notes included elsewhere in this report. This report contains forward-looking statements within the meaning of the federal securities laws. These include statements about our expectations, beliefs, intentions or strategies for the future, which are indicated by words or phrases such as “believes,” “anticipates,” “expects,” “intends,” “plans,” “will,” “estimates,” and similar words. Forward-looking statements represent, as of the date of this report, our judgment relating to, among other things, future results of operations, growth plans, sales, capital requirements and general industry and business conditions applicable to us. These forward-looking statements are not guarantees of future performance and are subject to risks, uncertainties, assumptions and other factors, some of which are beyond our control that could cause actual results to differ materially from those expressed or implied by such forward-looking statements. OVERVIEW Since our inception, we have played a significant role in the digital distribution revolution that continues to transform the media landscape. In addition to our pioneering role in transitioning approximately 12,000 movie screens from traditional analog film prints to digital distribution, we have become a leading distributor of independent content, both through organic growth and acquisitions. We distribute products for major brands such as Hallmark, Televisa, ITV, Nelvana, ZDF, Konami, NFL, and Scholastic, as well as leading international and domestic content creators, movie producers, television producers and other short-form digital content producers. We collaborate with producers, major brands and other content owners to market, source, curate and distribute quality content to targeted audiences through (i) existing and emerging digital home entertainment platforms, including but not limited to Apple iTunes, Amazon Prime, Netflix, Hulu, Xbox, Pluto, Tubi and most video-on-demand (“VOD”) and free ad-supported television (“FAST”) streaming platforms, as well as (ii) physical goods, including DVD and Blu-ray Discs. We report our financial results in two primary segments as follows: (1) cinema equipment business and (2) content and entertainment business (“Content & Entertainment”). The cinema equipment business segment consists of the non-recourse, financing vehicles and administrators for our digital cinema equipment (the “Systems”) installed in movie theatres throughout North America. It also provides fee-based support to over 675 movie screens as well as directly to exhibitors and other third-party customers in the form of monitoring, billing, collection and verification services. Our Content & Entertainment segment operates in: (1) ancillary market aggregation and distribution of entertainment content and (2) branded and curated over-the-top (“OTT”) digital network business providing entertainment channels and applications. Beginning in December 2015, certain of our cinema equipment began to reach the conclusion of their 10-year deployment payment period with certain distributors and, therefore, Virtual Print Fee (“VPF”) revenues ceased to be recognized on such Systems, related to such distributors. Furthermore, because the Phase I Deployment installation period ended in November 2007, a majority of the VPF revenue associated with the Phase I Deployment Systems has ended. The reduction in VPF revenue on cinema equipment business systems approximately coincided with the conclusion of certain of our non-recourse debt obligations and, therefore, the reduced cash outflows related to such non-recourse debt obligations partially offset the reduced VPF revenue since November 2017. Under the terms of our standard cinema equipment licensing agreements, exhibitors will continue to have the right to use our Systems through the end of the term of the licensing agreement, after which time they have the option to: (1) return the Systems to us; (2) renew their license agreement for successive one-year terms; or (3) purchase the Systems from us at fair market value. As permitted by these agreements, we typically pursue the sale of the Systems to such exhibitors. Such sales were as originally contemplated as the conclusion of the digital cinema deployment plan. We are structured so that our cinema equipment business segment operates independently from our Content & Entertainment business. As of September 30, 2022, we had approximately $0.0 million of non-recourse outstanding debt principal that relates to, and is serviced by, our cinema equipment business. We have approximately $0.0 million of outstanding debt principal and $3.8 million due on the outstanding credit line, as of September 30, 2022 that is attributable to our Content & Entertainment and Corporate segments. 29 Risks and Uncertainties The COVID-19 pandemic and related economic repercussions created significant volatility and uncertainty impacting the Company’s results for the period. As part of our Content & Entertainment business, the Company sells DVDs and Blu-ray discs at brick-and-mortar stores. The COVID-19 pandemic and the related economic impact are likely to result in sustained volatility and uncertainty, which could have an adverse effect on our business, financial condition and results of operations. Liquidity We have incurred net losses historically and net loss for the six months ended September 30, 2022 of $11.6 million. As of September 30, 2022, we had an accumulated deficit of $484.2 million and negative working capital of $10.1 million. Net cash used in operating activities for the six months ended September 30, 2022 was $6.3 million. Based on these and prior conditions, the Company entered into the following transactions described below. Capital Raises On May 20, 2020, the Company entered into a securities purchase agreement with certain investors for the purchase and sale of 10,666,666 shares of the Common Stock, at a purchase price of $0.75 per share, in a registered direct offering, pursuant to an effective shelf registration statement on Form S-3 which was declared effective by the Securities and Exchange Commission on May 14, 2020 (File No. 333-238183) and an applicable prospectus supplement. The closing of the sale occurred on May 22, 2020. The aggregate gross proceeds for the sale was $8.0 million. The net proceeds to the Company from the sale, after deducting the fees of the placement agents but before paying the Company’s estimated offering expenses, were approximately $7.1 million. In July 2020, we entered into an At-the-Market sales agreement (the “ATM Sales Agreement”) with A.G.P./Alliance Global Partners (“A.G.P.”) and B. Riley FBR, Inc. (“B. Riley” and, together with A.G.P., the “Sales Agents”), pursuant to which the Company may offer and sell, from time to time, through the Sales Agents, shares of Common Stock at the market prices prevailing on Nasdaq at the time of the sale of such shares. The Company is not obligated to sell any shares under the ATM Sales Agreement. Any sales of shares made under the ATM Sales Agreement will be made pursuant the 2020 Shelf Registration Statement, for an aggregate offering price of up to $30 million. Net proceeds from such sales totaled $18.6 million. No sales under the ATM Sales Agreement were made during the six months ended September 30, 2022. On July 16, 2020, the Company entered into a securities purchase agreement with certain investors for the purchase and sale of 7,213,334 shares of Common Stock, at a purchase price of $1.50 per share, in a registered direct offering, pursuant to the 2020 Shelf Registration Statement and an applicable prospectus supplement. The closing of the sale occurred on July 20, 2020. The aggregate gross proceeds for the sale was approximately $10.8 million. The net proceeds to the Company from the sale, after deducting the fees of the placement agents but before paying the Company’s estimated offering expenses, is approximately $10.1 million. On February 2, 2021, the Company entered into a securities purchase agreement with a single institutional investor for the purchase and sale of 5,600,000 shares of Common Stock at a purchase price of $1.25 per share, in a registered direct offering, pursuant to an effective shelf registration statement on Form S-3 which was declared effective by the Securities and Exchange Commission on July 10, 2020 (File No. 333-239710) (the “2020 Shelf Registration Statement”) and an applicable prospectus supplement. The closing of the sale occurred on February 5, 2021. The aggregate gross proceeds for the sale was approximately $7.0 million. The net proceeds to the Company from the sale, after deducting the fees of the placement agent but before paying the Company’s estimated offering expenses, was approximately $6.5 million. In October 2021, we entered into a Common Stock Purchase Agreement (the “Equity Line Purchase Agreement”) and a Registration Rights Agreement (the “Registration Rights Agreement”) with B. Riley Principal Capital, LLC (“B. Riley Principal Capital”). Pursuant to the Equity Line Purchase Agreement, the Company has the right to sell to B. Riley Principal Capital up to the lesser of (i) $50,000,000 of newly issued shares of Common Stock and (ii) the Exchange Cap (as defined in the Equity Line Purchase Agreement), from time to time during the 24-month period from and after the October 21, 2021. Sales of Common Stock pursuant to the Equity Line Purchase Agreement, and the timing of any sales, are solely at the option of the Company, and the Company is under no obligation to sell any securities to B. Riley Principal Capital under the Equity Line Purchase Agreement. As consideration for B. Riley Principal Capital’s commitment to purchase shares of Common Stock at the Company’s direction upon the terms and subject to the conditions set forth in the Equity Line Purchase Agreement, upon execution of the Equity Line Purchase Agreement, the Company issued 210,084 shares of Common Stock to B. Riley Principal Capital (the “Commitment Shares”). The purchase price of the shares of Common Stock that we elect to sell to B. Riley Principal Capital pursuant to the Equity Line Purchase Agreement will be determined by reference to the volume weighted average price of the Common Stock (“VWAP”) during the applicable purchase date, less a fixed 5% discount to such VWAP. Pursuant to the Registration Rights Agreement, the Company filed a Registration Statement on Form S-1 that was declared effective by the Securities and Exchange Commission on October 21, 2021 (File No. 333-260210) for the resale by B. Riley Principal Capital of up to 25,210,084 shares of Common Stock (including the Commitment Shares) acquired pursuant to the Equity Line Purchase Agreement. During the year ended March 31, 2022, we sold 5,300,000 shares of Common Stock under the Equity Line Purchase Agreement. Net proceeds from such sales totaled $12.4 million. No sales under the Equity Line Purchase Agreement were made during the six months ended September 30, 2022. 30 As of September 30, 2022, there is still approximately $38.0 million available under the 2020 Shelf Registration Statement, and $37.6 million available under the Equity Line Purchase Agreement, to raise additional capital. Sale of Cinematic Equipment On March 17, 2021, the Company entered into two separate agreements (the “AMC Equipment Purcahse Agreements”) for the sale of cinematic equipment to American Multi-Cinema, Inc. (“AMC”). The agreement included the sale in tranches of a total of 2,369 cinematic projectors starting in March 2021 throughout January 2023 for a total cash consideration of $10.8 million. As of September 30, 2022, the Company recognized revenue for $10.3 million. A portion of the total proceeds was utilized to pay off the remaining Prospect note payable. Equity Investment in a Metaverse Company, a Related Party On February 14, 2020, the Company acquired an approximately 11.5% interest in A Metaverse Company (“Metaverse”), a leading publicly traded Chinese entertainment company, formerly Starrise Media Holdings Limited, whose ordinary shares are listed on the Stock Exchange of Hong Kong. The Company acquired such interest as a strategic investment and in a private transaction from a shareholder of Metaverse that is related to our major shareholder. Our major shareholder also maintains a significant beneficial interest ownership in Metaverse. Upon consummation of the transaction on February 14, 2020, the Company recorded an initial investment of approximately $25.1 million, which is the fair market value of the Metaverse shares on the transaction date on the Stock Exchange of Hong Kong, in exchange for the Company’s common stock of $11.2 million, valued as of the date of the issuance of the Common Stock of the Company. The difference in value of shares received in Metaverse and shares issued by the Company is deemed as contributed capital and recorded in additional paid-in capital. On April 10, 2020, the Company purchased an additional 15% interest in Metaverse in a private transaction from shareholders of Metaverse that are affiliated with the major shareholder of the Company. The Company recorded an additional equity investment of approximately $28.2 million, which is the fair market value of the Metaverse shares on the transaction date on the Stock Exchange of Hong Kong, in exchange for the Company’s common stock of $11.0 million, valued at the date of the issuance of the Common Stock of the Company. The difference in the value of shares received in Metaverse and shares issued by the Company is deemed as contributed capital and recorded in additional paid-in capital. This transaction was also recorded as an equity investment in Metaverse. The Company has accounted for these investments under the equity method of accounting as the Company can exert significant influence over Metaverse with its direct ownership and affiliation with the Company’s majority shareholders. The Company has made an irrevocable election to apply the fair value option under ASC 825-10, Financial Instruments, as it relates to its equity investment in Metaverse. On April 1, 2022, trading of Metaverse’s ordinary shares was halted on the Hong Kong Stock Exchange. This investment was previously a Level 1 investment as the shares were being actively traded in a marketplace. The investment is recorded at fair value as a Level 3 as there is not an active market or observable inputs. As of September 30, 2022, Metaverse’s stock valuation is based on an independent valuation based on the market approach is categorized as Level 3 based on unobservable inputs. We believe the combination of: (i) our cash and cash equivalent balances at September 30, 2022 and (ii) expected cash flow from operations will be sufficient for our operations and capital needs, for at least twelve months from the filing of this report. Our capital requirements will depend on many factors, and we may need to use capital resources and obtain additional capital. Failure to generate additional revenues, obtain additional capital or manage discretionary spending could have an adverse effect on our financial position, results of operations and liquidity. Critical Accounting Policies and Estimates Our consolidated financial statements are prepared in accordance with accounting principles generally accepted in the United States of America (“GAAP”). In connection with the preparation of our financial statements, we are required to make assumptions and estimates about future events and apply judgments that affect the reported amounts of assets, liabilities, revenue, expenses and the related disclosures. We base our assumptions, estimates and judgments on historical experience, current trends and other factors that management believes to be relevant at the time our consolidated financial statements are prepared. On a regular basis, management reviews the accounting policies, assumptions, estimates and judgments to ensure that our financial statements are presented fairly and in accordance with GAAP. However, because future events and their effects cannot be determined with certainty, actual results could differ from our assumptions and estimates, and such differences could be material. 31 Our significant accounting policies are discussed in Note 2 – Summary of Significant Accounting Policies , of the Notes to Consolidated Financial Statements, included in Item 1, Condensed Consolidated Financial Statements (Unaudited) , of this Quarterly Report on Form 10-Q. Management believes that the following accounting policies are the most critical to aid in fully understanding and evaluating our reported financial results, and they require management’s most difficult, subjective or complex judgments, resulting from the need to make estimates about the effect of matters that are inherently uncertain. Management has reviewed these critical accounting estimates and related disclosures with the Audit Committee of our board of directors. FAIR VALUE ESTIMATES Goodwill, Intangible and Long-Lived Assets Goodwill is the excess of the purchase price paid over the fair value of the net assets of an acquired business. Goodwill is tested for impairment on an annual basis or more often if warranted by events or changes in circumstances indicating that the carrying value may exceed fair value, also known as impairment indicators. Inherent in the fair value determination for each reporting unit are certain judgments and estimates relating to future cash flows, including management’s interpretation of current economic indicators and market conditions, and assumptions about our strategic plans with regard to its operations. To the extent additional information arises, market conditions change, or our strategies change, it is possible that the conclusion regarding whether our remaining goodwill is impaired could change and result in future goodwill impairment charges that will have a material effect on our consolidated financial position or results of operations. The Company has the option to assess goodwill for possible impairment by performing a qualitative analysis to determine if it is more likely than not that the fair value of a reporting unit is less than its carrying amount or to perform the quantitative impairment test. We review the recoverability of our long-lived assets and finite-lived intangible assets, when events or conditions occur that indicate a possible impairment exists. Determining whether impairment has occurred typically requires various estimates and assumptions, including determining which cash flows are directly related to the potentially impaired asset, the useful life over which cash flows will occur, their amount and the asset’s residual value, if any. The assessment for recoverability is based primarily on our ability to recover the carrying value of its long-lived and finite-lived assets from expected future undiscounted net cash flows. If the total of expected future undiscounted net cash flows is less than the total carrying value of the assets the asset is deemed not to be recoverable and possibly impaired. We then estimate the fair value of the asset to determine whether an impairment loss should be recognized. An impairment loss will be recognized if the asset’s fair value is determined to be less than its carrying value. Fair value is determined by computing the expected future discounted cash flows. During the six months ended September 30, 2022 and 2021, no impairment charge was recorded to goodwill, intangible, and long-lived assets. Investment in Metaverse 32 Fair Value Hierarchy The fair value measurement disclosures are grouped into three levels based on valuation factors: ● Level 1 – quoted prices in active markets for identical investments ● Level 2 – other significant observable inputs (including quoted prices for similar investments and market corroborated inputs) ● Level 3 – significant unobservable inputs (including our own assumptions in determining the fair value of investments) Assets and liabilities measured at fair value on a recurring basis use the market approach, where prices and other relevant information are generated by market transactions involving identical or comparable assets or liabilities. During the six months ended September 30, 2022 and 2021, the company recorded a charge of $1.8 million and $1 million in the company’s investment in Metaverse. REVENUE RECOGNITION We determine revenue recognition by: ● identifying the contract, or contracts, with the customer; ● identifying the performance obligations in the contract; ● determining the transaction price; ● allocating the transaction price to performance obligations in the contract; and ● recognizing revenue when, or as, we satisfy performance obligations by transferring the promised goods or services. We recognize revenue in the amount that reflects the consideration we expect to receive in exchange for the services provided, sales of physical products (DVD’s and Blu-ray Discs) or when the content is available for subscription on the digital platform or available on the point-of-sale for transactional and video on demand services which is when the control of the promised products and services is transferred to our customers and our performance obligations under the contract have been satisfied. Revenues that might be subject to various taxes are recorded net of transaction taxes assessed by governmental authorities such as sales value-added taxes and other similar taxes. Payment terms and conditions vary by customer and typically provide net 30 to 90 day terms. We do not adjust the promised amount of consideration for the effects of a significant financing component when we expect, at contract inception, that the period between our transfer of a promised product or service to our customer and payment for that product or service will be one year or less. We have in the past entered into arrangements in connection with activation fees due from our System deployments that had extended payment terms. The outstanding balances on these arrangements are insignificant and hence the impact of significant financing would be insignificant. 33 Cinema Equipment Business Our Cinema Equipment Business consists of financing vehicles and administrators for 355 Systems installed nationwide in our first deployment phase (“Phase I Deployment”) to theatrical exhibitors and for 320 Systems installed domestically and internationally in our second deployment phase (“Phase II Deployment”). We retain ownership of our Systems and the residual cash flows related to the Systems in Phase I Deployment after the end of the 10-year deployment payment period. For certain Phase II Deployment Systems, we do not retain ownership of the residual cash flows and digital cinema equipment in Phase II Deployment after the completion of cost recoupment and at the expiration of the exhibitor master license agreements. The Cinema Equipment Business also provides monitoring, data collection, serial data verification and management services to this segment, as well as to exhibitors who purchase their own equipment, in order to collect virtual print fees (“VPFs”) from distributors and Alternative Content Fees (“ACFs”) from alternative content providers, and to distribute those fees to theatrical exhibitors (collectively, “Services”). VPFs are earned, net of administrative fees, pursuant to contracts with distributors, whereby amounts are payable by a distributor to Phase I Deployment and to Phase II Deployment when distributor’s movies are displayed on screens utilizing our Systems installed in movie theatres. VPFs are earned and payable to Phase I Deployment based on a defined fee schedule until the end of the VPF term. One VPF is payable for every digital title initially displayed per System. The amount of VPF revenue is dependent on the number of movie titles released and displayed using the Systems in any given accounting period. VPF revenue is recognized in the period the title first plays for general audience viewing in a digital projector equipped movie theatre. The Phase 1 Deployment’s and Phase 2 Deployments performance obligations for revenue recognition are met at this time. Phase II Deployment’s agreements with distributors require the payment of VPFs, according to a defined fee schedule, for ten years from the date each system is installed; however, Phase II Deployment may no longer collect VPFs once “cost recoupment,” as defined in the contracts with distributors, is achieved. Cost recoupment will occur once the cumulative VPFs and other cash receipts collected by Phase II Deployment have equaled the total of all cash outflows, including the purchase price of all Systems, all financing costs, all “overhead and ongoing costs”, as defined, and including service fees, subject to maximum agreed upon amounts during the three-year rollout period and thereafter. Under the terms of our standard cinema equipment licensing agreements, exhibitors will continue to have the right to use our Systems through the end of the term of the licensing agreement, after which time, they have the option to: (1) return the Systems to us; (2) renew their license agreement for successive one-year terms; or (3) purchase the Systems from us at fair market value. As permitted by these agreements, we typically pursue the sale of the Systems to such exhibitors. Such sales were originally contemplated as the conclusion of the digital cinema deployment plan. Cinedigm recognizes revenue once the customer takes possession of the Systems and Cinedigm received the sale proceeds. Total system revenue was $0.7 million and $2.2 million, during the three months ended September 30, 2022 and 2021, respectively. Total system revenue was $1.9 million and $7.8 million, during the six months ended September 30, 2022 and 2021, respectively. 34 The Cinema Equipment Business earns an administrative fee of approximately 5% of VPFs collected and, in addition, earns an incentive service fee equal to 2.5% of the VPFs earned by Phase 1 DC. This administrative fee is related to the collection and remittance of the VPFs and the performance obligation is satisfied at that time the related VPF fees are due which is at the time the movies are displayed on screens utilizing our Systems installed in movie theatres. The service fees are recognized as a point in time revenue when the corresponding VPF fees are due from the distributors. A limited number of systems from our Phase I deployment remain eligible for VPFs from certain distributors where Phase I exhibitors have renewed their term on an annual basis. We continue to pursue system sales for these remaining exhibitors. Our Phase II deployment currently consists of a limited number of exhibitors who purchased their own systems and have not yet reached recoupment or the end of their contractual term. We continue to administer VPFs for these limited systems from certain distributors. Content & Entertainment Business Content & Entertainment Business earns fees for the distribution of content in the home entertainment markets via several distribution channels, including digital, video on demand (“VOD” or “OTT Streaming and Digital”), and physical goods (e.g., DVDs and Blu-ray Discs) (“Physical Revenue” or “Base Distribution Business”). Fees earned are typically a percentage based on the net amounts received from our customers. Depending upon the nature of the agreements with the platform and content providers, the fee rate that we earn varies. The Company’s performance obligations include the delivery of content for transactional, subscription and ad supported/free ad-supported streaming TV (“FAST”) on the digital platforms, and shipment of DVDs and Blu-ray Discs. Revenue is recognized at the point in time when the performance obligation is satisfied, which is when the content is available for subscription on the digital platform, at the time of shipment for physical goods, or point-of-sale for transactional and VOD services as the control over the content or the physical title is transferred to the customer. The Company considers the delivery of content through various distribution channels to be a single performance obligation. Physical revenue is recognized after deducting the reserves for sales returns and other allowances, which are accounted for as variable consideration. Physical goods reserved for sales returns and other allowances are recorded based upon historical experience. If actual future returns and allowances differ from past experience, adjustments to our allowances may be required. Content & Entertainment Business also has contracts for the theatrical distribution of third party feature movies and alternative content. Content & Entertainment Business’s distribution fee revenue and Content & Entertainment Business’s participation in box office receipts are recognized at the time a feature movie and alternative content are viewed. Content & Entertainment Business has the right to receive or bill a portion of the theatrical distribution fee in advance of the exhibition date, and therefore such amount is recorded as a receivable at the time of execution, and all related distribution revenue is deferred until the third party feature movies’ or alternative content’s theatrical release date. 35 Principal Agent Considerations We determine whether revenue should be reported on a gross or net basis based on each revenue stream. Key indicators that we use in evaluating gross versus net treatment include, but are not limited to, the following: ● which party is primarily responsible for fulfilling the promise to provide the specified good or service; and ● which party has discretion in establishing the price for the specified good or service. Shipping and Handling Shipping and handling costs are incurred to move physical goods (e.g., DVDs and Blu-ray Discs) to customers. We recognize all shipping and handling costs as an expense in cost of goods sold because we are responsible for delivery of the product to our customers prior to transfer of control to the customer. Credit Losses We maintain reserves for potential credit losses on accounts receivable. We review the composition of accounts receivable and analyze historical bad debts, customer concentrations, customer credit worthiness, current economic trends and changes in customer payment patterns to evaluate the adequacy of these reserves. Reserves are recorded primarily on a specific identification basis. Our Content & Entertainment Business recognizes accounts receivable, net of an estimated allowance for product returns and customer chargebacks, at the time that it recognizes revenue from a sale. Reserves for product returns and other allowances is variable consideration as part of the transaction price. If actual future returns and allowances differ from past experience, adjustments to our allowances may be required. Contract Liabilities We generally record a receivable related to revenue when we have an unconditional right to invoice and receive payment, and we record deferred revenue (contract liability) when cash payments are received or due in advance of our performance, even if amounts are refundable. Deferred revenue pertaining to our Content & Entertainment Business includes amounts related to the sale of DVDs with future release dates. Deferred revenue relating to our Cinema Equipment Business pertains to revenues earned in connection with up front exhibitor contributions that are deferred and recognized over the expected cost recoupment period. It also includes unamortized balances in connection with activation fees due from the Systems deployments that have extended payment terms. The ending deferred revenue balance, including current and non-current balances, as of September 30, 2022 was $0.3 million. For the six months ended September 30, 2022, the additions to our deferred revenue balance were primarily due to cash payments received or due in advance of satisfying performance obligations, while the reductions to our deferred revenue balance were primarily due to the recognition of revenue upon fulfillment of our performance obligations, both of which were in the ordinary course of business. Participations and royalties payable When we use third parties to distribute company owned content, we record participations payable, which represent amounts owed to the distributor under revenue-sharing arrangements. When we provide content distribution services, we record accounts payable and accrued expenses to studios or content producers for royalties owed under licensing arrangements. We identify and record as a reduction to the liability any expenses that are to be reimbursed to us by such studios or content producers. 36 ASSET ACQUISITIONS An asset acquisition is an acquisition of an asset, or a group of assets, that does not meet the definition of a business as substantially all of the fair value of the gross assets acquired are concentrated in a single or group of similar, identifiable assets. Asset acquisitions are accounted for by using the cost accumulation model whereby the cost of the acquisition, including certain transaction costs, is allocated to the assets acquired on a relative fair value basis. Determining and valuing intangible assets requires judgment. BUSINESS COMBINATIONS The Company accounts for acquisitions in accordance with FASB ASC 805, “Business Combinations” (“ASC 805”), and goodwill in accordance with ASC 350, “ Intangibles — Goodwill and Other” (“ASC 350”). The excess of the purchase price over the estimated fair value of net assets acquired in a business combination is recorded as goodwill. ASC 805 specifies criteria to be used in determining whether intangible assets acquired in a business combination must be recognized and reported separately from goodwill. Amounts assigned to goodwill and other identifiable intangible assets are based on independent appraisals or internal estimates. ASC 805 defines the acquirer in a business combination as the entity that obtains control of one or more businesses in a business combination and establishes the acquisition date as the date the acquirer achieves control. ASC 805 requires an acquirer to recognize the assets acquired, the liabilities assumed, and any noncontrolling interest in the acquirer (if any) at the acquisition date, measured at their fair values as of that date. ASC 805 also requires the acquirer to recognize contingent consideration (if any) at the acquisition date, measured at its fair value at that date. Results of Operations for the Fiscal Three Months Ended September 30, 2022 and 2021 Revenues For the Three Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business $ 2,605 $ 3,253 $ (648 ) (20 )% Content & Entertainment Business 11,401 6,850 4,551 66 % $ 14,006 $ 10,103 $ 3,903 39 % Revenues generated by our Cinema Equipment Business segment decreased as a result of the lower system revenue and eligible VPF systems offset by an increase in Ph2 variable consideration of $1.7 million Total system revenue recognized was $0.7 million and $2.2 million, during the quarter ended September 30, 2022 and 2021, respectively. Blockbuster content released during the period ending September 30, 2022 was consistent with Studio output from the prior period, however VPF eligible theatres decreased significantly for the same period last year. Revenue in the Content & Entertainment Business segment increased by 66% for the three months ended September 30, 2022 compared to the three months ended September 30, 2021. The increase is consistent with the addition of seven new streaming channels related to Bloody Disgusting and DMR business acquisitions and five managed channel additions of The Country Network, Real Madrid TV, El Rey, The Elvis Presley Channel and The Only Way is Essex as well as an increase in the number of advertising partners. Additionally, the segment experienced triple-digit growth related to “FAST” and TV-VOD revenue, bolstered by top performing titles and new releases, such as the Yu-Gi-Oh, Demon Slayer, Boon, The Ravine, The Mulligan, Chesapeake Shores, When Calls the Heart, and the classics, Short Circuit and Highlander. Direct Operating Expenses For the Three Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business $ 126 $ 164 $ (38 ) (23 )% Content & Entertainment Business 7,966 3,169 4,797 151 % $ 8,092 $ 3,333 $ 4,759 143 % The decrease in direct operating expenses in the quarter ended September 30, 2022 for the Cinema Equipment Business compared to the prior period was primarily due to a decrease in property taxes as a result of system sales. The increase in direct operating expenses in the three months ended September 30, 2022 for the Content & Entertainment Business compared to the prior year was primarily due to $0.8 million increase related to DVD manufacturing and fulfillment, $2.7 million higher content and production costs including royalties related to continued growth in revenue and distribution, $0.5 million increase related to Software as a service (“SaaS”) expense primarily as the result of the DMR acquisition and $0.4 million higher related to the film restoration, conversion and website content production costs. 37 Selling, General and Administrative Expenses For the Three Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business $ 455 $ 431 $ 24 6 % Content & Entertainment Business 3,562 3,480 82 2 % Corporate 5,580 3,248 2,332 72 % $ 9,597 $ 7,159 $ 2,438 34 % Selling, general and administrative expenses for the three months ended September 30, 2022 increased by $2.4 million primarily due to $1.5 million increase in personnel costs from the acquisitions of Fandor, DMR, and Bloody Disgusting, $1.3 million increase related to stock-based compensation to management and employees, offset by $0.3 million decrease in professional consulting services. Recovery of Doubtful Accounts Recovery of doubtful accounts was $0.0 and $0.1 million for the fiscal three months ended September 30, 2022 and 2021, respectively. Depreciation and Amortization Expense on Property and Equipment For the Three Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business $ 104 298 (194 ) (65 )% Content & Entertainment Business 144 142 2 1 % Corporate - - - - % $ 248 $ 440 $ (192 ) (44 )% Depreciation and amortization expense decreased in our Cinema Equipment Business segment as the majority of our digital cinema projection systems reached the conclusion of their ten-year useful lives during the quarter ended September 30, 2022 and 2021. Amortization of intangible assets For the Three Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business - - - - % Content & Entertainment Business 629 696 (67 ) (10 )% Corporate 107 107 - % $ 736 $ 696 $ 40 6 % Amortization of intangible assets decreased in our Cinema Equipment Business Segment as the intangibles held by that segment were fully amortized and offset by new intangibles added due to recent acquisitions during 2021. Interest expense, net For the Three Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business $ - $ 5 $ (5 ) (100 )% Corporate 380 31 349 1,126 % $ 380 $ 36 $ 344 956 % Interest expense in our Corporate segment increased as a result of deferred and earnout consideration accretion related to the acquisition of Bloody Disgusting, FoundationTV and DMR. 38 Changes in fair value in Metaverse On April 1, 2022, trading of Metaverse’s ordinary shares was halted on the Hong Kong Stock Exchange. This investment was previously a level 1 investment as the shares were being actively traded in a marketplace, but with the trading of the shares being halted the Company needed to reassess the fair value level of the investment. Without an active market where the shares are being traded, the investment no longer qualifies as a level 1. As of September 30, 2022, Metaverse’s stock valuation is based on an independent valuation based on the market approach is categorized as Level 3 based on unobservable inputs. The changes in the valuation resulted in a loss of $0.6 million during the three months ended September 30, 2022. Income Tax Benefit We recorded income tax expense of zero for the three months ended September 30, 2022. We recorded an income tax benefit of approximately $487 thousand for the three months ended September 30, 2021. Our effective tax rate for the three months ended September 30, 2022 and 2021 was zero and negative 71.4%, respectively. Net Income/Loss attributable to common shareholders For the Three Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business $ 1,833 $ 2,476 $ (643 ) (26 )% Content & Entertainment Business (3,090 ) (1,831 ) (1,259 ) (69 )% Corporate (4,495 ) (918 ) (3,577 ) (390 )% $ (5,752 ) $ (273 ) $ (5,479 ) (2,007 )% Adjusted EBITDA We define Adjusted EBITDA to be earnings before interest, taxes, depreciation and amortization, other income, net, stock-based compensation and expenses, merger and acquisition costs, restructuring, transition and acquisitions expense, net, goodwill impairment and certain other items. Consolidated Adjusted EBITDA (including the results of Cinema Equipment Business segment) for the three months ended September 30, 2022 decreased by $2.0 million compared to the three months ended September 30, 2021. Adjusted EBITDA from our Cinema Equipment Business segment decreased primarily due to a decrease in systems sales and eligible VPF systems. Adjusted EBITDA from the Content & Entertainment Business and Corporate decreased by $1.3 million for the three months ended September 30, 2022 compared to the three months ended September 30, 2021, due to an increase of $4.8 million in direct operating expense and $2.4 million higher selling, general and administrative expenses, versus previous year despite a $4.6 million increase in Streaming digital revenue, adding channels, and acquisitions. Adjusted EBITDA is not a measurement of financial performance under GAAP and may not be comparable to other similarly titled measures of other companies. We use Adjusted EBITDA as a financial metric to measure the financial performance of the business because management believes it provides additional information with respect to the performance of its fundamental business activities. For this reason, we believe Adjusted EBITDA will also be useful to others, including its stockholders, as a valuable financial metric. 39 We present Adjusted EBITDA because we believe that Adjusted EBITDA is a useful supplement to net income (loss) from continuing operations as an indicator of operating performance. We also believe that Adjusted EBITDA is a financial measure that is useful both to management and investors when evaluating our performance and comparing our performance with that of our competitors. We also use Adjusted EBITDA for planning purposes and to evaluate our financial performance because Adjusted EBITDA excludes certain incremental expenses or non-cash items, such as stock-based compensation charges, that we believe are not indicative of our ongoing operating performance. We believe that Adjusted EBITDA is a performance measure and not a liquidity measure, and therefore a reconciliation between net loss from continuing operations and Adjusted EBITDA has been provided in the financial results. Adjusted EBITDA should not be considered as an alternative to income from operations or net loss from continuing operations as an indicator of performance or as an alternative to cash flows from operating activities as an indicator of cash flows, in each case as determined in accordance with GAAP, or as a measure of liquidity. In addition, Adjusted EBITDA does not take into account changes in certain assets and liabilities as well as interest and income taxes that can affect cash flows. We do not intend the presentation of these non-GAAP measures to be considered in isolation or as a substitute for results prepared in accordance with GAAP. These non-GAAP measures should be read only in conjunction with our consolidated financial statements prepared in accordance with GAAP. Following is the reconciliation of our consolidated net loss to Adjusted EBITDA: For the Three Months Ended September 30, ($ in thousands) 2022 2021 Net loss $ (5,655 ) $ (195 ) Add Back: Income tax expense (benefit) - (487 ) Depreciation and amortization of property and equipment 248 440 Amortization of intangible assets 736 696 Interest expense, net 380 36 Change in fair value on equity investment in Metaverse 572 (666 ) Severance and other expense 174 2 Recovery benefit of doubtful accounts 44 (111 ) Stock-based compensation 2,218 946 Net income attributable to noncontrolling interest (9 ) 11 Adjusted EBITDA $ (1,292 ) $ 672 Adjustments related to the Cinema Equipment Business Depreciation and amortization of property and equipment $ (104 ) $ (298 ) Acquisition, integration and other expense 11 (60 ) Provision for doubtful accounts (44 ) - Income from operations (1,783 ) (2,320 ) Adjusted EBITDA from non-cinema equipment business $ (3,212 ) $ (2,006 ) 40 Results of Operations for the Fiscal Six Months Ended September 30, 2022 and 2021 Revenues For the Six Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business $ 4,032 $ 9,484 $ (5,452 ) (57 )% Content & Entertainment Business 23,564 15,634 7,930 51 % $ 27,596 $ 25,118 $ 2,478 10 % Revenues generated by our Cinema Equipment Business segment decreased as a result of the lower system revenue and eligible VPF systems offset by an increase in Ph2 variable consideration of $1.7 million. Total system revenue recognized was $1.9 million and $7.8 million, during the six months ended September 30, 2022 and 2021, respectively. Blockbuster content released during the six months ending September 30, 2022 remained consistent with Studio output from the prior period, however, VPF eligible theatres decreased significantly for the same period last year. Revenue in the Content & Entertainment Business segment increased by 51% for the six months ended September 30, 2022 compared to the six months ended September 30, 2021. The increase is consistent with the addition of seven new streaming channels related to Bloody Disgusting and DMR business acquisitions and five managed channel additions of The Country Network, Real Madrid TV, El Rey, The Elvis Presley Channel and The Only Way is Essex as well as an increase in the number of advertising partners. Additionally, revenue growth is due utilizing deal structures that maximize upfronts and creating greater long term value, as well as the results of top performing titles, including new releases, such as the Yu-Gi-Oh, Demon Slayer, Boon, The Ravine, The Mulligan, Incarnation, 7 Days, Chesapeake Shores, When Calls the Heart and the classics, Short Circuit and Highlander. Direct Operating Expenses For the Six Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business $ 270 $ 421 $ (151 ) (36 )% Content & Entertainment Business 15,178 7,543 7,635 101 % $ 15,448 $ 7,964 $ 7,484 94 % The decrease in direct operating expenses in the six months ended September 30, 2022 for the Cinema Equipment Business compared to the prior period was primarily due to a decrease in property taxes as a result of system sales. The increase in direct operating expenses in the six months ended September 30, 2022 for the Content & Entertainment Business compared to the prior year was primarily due to $1.2 million increase related to DVD manufacturing and fulfillment, $3.8 million higher content and production costs including royalties related to continued growth in revenue and distribution, $0.3 million higher personnel and contractors spend, $0.8 million higher related to Software as a service (“SaaS”) expense primarily as the result of the DMR acquisition, and $0.6 million related to the film restoration, conversion and website content production costs. Selling, General and Administrative Expenses For the Six Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business $ 1,526 $ 860 $ 666 77 % Content & Entertainment Business 7,345 6,298 1,047 17 % Corporate 10,541 6,044 4,497 74 % $ 19,412 $ 13,202 $ 6,210 47 % Selling, general and administrative expenses for the six months ended September 30, 2022 increased by $6.2 million primarily due to $3.7 million increase in personnel costs from the acquisitions of Fandor, DMR and Bloody Disgusting, $1.3 million increase related to stock-based compensation to management and employees, $0.5 million in legal expenses primarily related to a legal settlement, and $0.3 million in professional consulting services. 41 Recovery of Doubtful Accounts Recovery of doubtful accounts was $0.0 and $0.0 for the fiscal six months ended September 30, 2022 and 2021, respectively. Depreciation and Amortization Expense on Property and Equipment For the Six Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business $ 221 805 (584 ) (73 )% Content & Entertainment Business 282 284 (2 ) (1 )% Corporate 1 - 1 - % $ 504 $ 1,089 $ (585 ) (54 )% Depreciation and amortization expense decreased in our Cinema Equipment Business segment as the majority of our digital cinema projection systems reached the conclusion of their ten-year useful lives during the quarter ended September 30, 2022 and 2021. Amortization of intangible assets For the Six Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business $ - $ - - % Content & Entertainment Business 1,266 1,543 (277 ) (18 )% Corporate 214 - 214 - % $ 1,480 $ 1,543 $ (63 ) (4 )% Amortization of intangible assets decrease in our Cinema Equipment Business Segment as the intangibles held by that segment were fully amortized and offset by new intangibles added due to recent acquisitions during 2021. Interest expense, net For the Six Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business $ - $ 138 $ (138 ) (100 )% Content & Entertainment Business - - - - % Corporate 513 42 471 1,121 % $ 513 $ 180 $ 333 185 % Interest expense in our Corporate segment increased as a result of deferred and earnout consideration accretion related to the acquisition of Bloody Disgusting, FoundationTV and DMR. Changes in fair value in Metaverse On April 1, 2022, trading of Metaverse’s ordinary shares was halted on the Hong Kong Stock Exchange. This investment was previously a level 1 investment as the shares were being actively traded in a marketplace, but with the trading of the shares being halted the Company needed to reassess the fair value level of the investment. Without an active market where the shares are being traded, the investment no longer qualifies as a level 1. As of September 30, 2022, Metaverse’s stock valuation is based on an independent valuation based on the market approach is categorized as Level 3 based on unobservable inputs. The changes in the valuation resulted in a loss of $1.8 million during the six months ended September 30, 2022. Income Tax Benefit We recorded income tax expense of zero for the six months ended September 30, 2022. We recorded an income tax benefit of approximately $550 thousand for the six months ended September 30, 2021. Our effective tax rate for the six months ended September 30, 2022 and 2021 was zero and negative 12.4%, respectively 42 Net Income/Loss attributable to common shareholders For the Six Months Ended September 30, ($ in thousands) 2022 2021 $ Change % Change Cinema Equipment Business $ 1,970 $ 7,247 $ (5,277 ) (73 )% Content & Entertainment Business (5,789 ) (1,939 ) (3,850 ) (199 )% Corporate (8,026 ) (483 ) (7,543 ) (1,562 )% $ (11,845 ) $ 4,825 $ (16,670 ) (345 )% Adjusted EBITDA We define Adjusted EBITDA to be earnings before interest, taxes, depreciation and amortization, other income, net, stock-based compensation and expenses, merger and acquisition costs, restructuring, transition and acquisitions expense, net, goodwill impairment and certain other items. Consolidated Adjusted EBITDA (including the results of Cinema Equipment Business segment) for the six months ended September 30, 2022 decreased by $9.7 million compared to the six months ended September 30, 2021. Adjusted EBITDA from our Cinema Equipment Business segment decreased primarily due to a decrease in systems sales and eligible VPF systems. Adjusted EBITDA from the Content & Entertainment Business and Corporate decreased by $3.5 million for the six months ended September 30, 2022 compared to the six months ended September 30, 2021, due to an increase of $7.6 million in direct operating expense and $5.5 million higher selling, general and administrative expenses, versus previous year despite a $7.9 million increase in Streaming digital revenue, adding channels, and acquisitions. Adjusted EBITDA is not a measurement of financial performance under GAAP and may not be comparable to other similarly titled measures of other companies. We use Adjusted EBITDA as a financial metric to measure the financial performance of the business because management believes it provides additional information with respect to the performance of its fundamental business activities. For this reason, we believe Adjusted EBITDA will also be useful to others, including its stockholders, as a valuable financial metric. We present Adjusted EBITDA because we believe that Adjusted EBITDA is a useful supplement to net income (loss) from continuing operations as an indicator of operating performance. We also believe that Adjusted EBITDA is a financial measure that is useful both to management and investors when evaluating our performance and comparing our performance with that of our competitors. We also use Adjusted EBITDA for planning purposes and to evaluate our financial performance because Adjusted EBITDA excludes certain incremental expenses or non-cash items, such as stock-based compensation charges, that we believe are not indicative of our ongoing operating performance. We believe that Adjusted EBITDA is a performance measure and not a liquidity measure, and therefore a reconciliation between net loss from continuing operations and Adjusted EBITDA has been provided in the financial results. Adjusted EBITDA should not be considered as an alternative to income from operations or net loss from continuing operations as an indicator of performance or as an alternative to cash flows from operating activities as an indicator of cash flows, in each case as determined in accordance with GAAP, or as a measure of liquidity. In addition, Adjusted EBITDA does not take into account changes in certain assets and liabilities as well as interest and income taxes that can affect cash flows. We do not intend the presentation of these non-GAAP measures to be considered in isolation or as a substitute for results prepared in accordance with GAAP. These non-GAAP measures should be read only in conjunction with our consolidated financial statements prepared in accordance with GAAP. 43 Following is the reconciliation of our consolidated net loss to Adjusted EBITDA: For the Six Months Ended September 30, ($ in thousands) 2022 2021 Net income (loss) $ (11,642 ) $ 4,999 Add Back: Income tax benefit - (550 ) Depreciation and amortization of property and equipment 504 1,089 Amortization of intangible assets 1,480 1,543 (Gain) loss on forgiveness of PPP loan and extinguishment of note payable - (2,178 ) Interest expense, net 513 180 Change in fair value on equity investment in Metaverse 1,828 (1,000 ) Acquisition, integration, severance and other expense 570 176 Recovery benefit of doubtful accounts 47 (40 ) Stock-based compensation 3,198 1,929 Net income attributable to noncontrolling interest (27 ) 4 Adjusted EBITDA $ (3,529 ) $ 6,152 Adjustments related to the Cinema Equipment Business Depreciation and amortization of property and equipment $ (221 ) $ (805 ) Acquisition, integration and other expense - (11 ) Provision for doubtful accounts (47 ) 103 Income from operations (1,772 ) (7,232 ) Adjusted EBITDA from non-cinema equipment business $ (5,569 ) $ (1,793 ) Recent Accounting Pronouncements See Note 2 - Summary of Significant Accounting Policies to our consolidated financial statements included herein. Cash flow Changes in our cash flows were as follows: For the Six Months Ended September 30, ($ in thousands) 2022 2021 Net cash (used in) provided by operating activities $ (6,279 ) $ 9,358 Net cash used in investing activities (274 ) (4,820 ) Net cash used in financing activities 3,167 (9,742 ) Net decrease in cash and cash equivalents $ (3,386 ) $ (5,204 ) As of September 30, 2022, we had cash and cash equivalents balances of $9.7 million. As of September 30, 2021, we had cash, cash equivalents, and restricted cash balances of $12.6 million. For the six months ended September 30, 2022, net cash provided by operating activities is primarily driven by income from operations, excluding non-cash expenses such as depreciation, amortization, recovery for doubtful accounts and stock-based compensation, gain on extinguishment of note payable, including other changes in working capital. Additionally, during the six months ended September 30, 2022, the Company decreased accounts payable by $5.5 million to vendors. Cash received from VPFs decreased from the previous period in alignment with the decrease in eligible VPF systems. Changes in accounts receivable from our studio customers largely impact cash flows from operating activities and vary based on the seasonality of movie release schedules by the major studios. Prepaid and other current assets increased by $2.9 million. Operating cash flows from Content & Entertainment Business are typically seasonally lower during the first two fiscal quarters, and higher during our fiscal third and fourth quarters, resulting from revenues earned during the holiday season. In addition, we made $1.0 million advances for the six months ended September 30, 2022, we make advances on theatrical releases and to certain home entertainment distribution clients for which initial expenditures are generally recovered within six to twelve months. 44 For the six months ended September 30, 2021, net cash provided by operating activities was primarily driven by income from operations, excluding non-cash expenses such as depreciation, amortization, provision for doubtful accounts and stock-based compensation, including other changes in working capital. Additionally, during the six months ended September 30, 2021, the Company paid down $18.3 million to vendors at both Content & Entertainment and Corporate. Operating cash flows from Content & Entertainment are typically higher during our fiscal third and fourth quarters, resulting from revenues earned during the holiday season, and lower in the other two quarters as we pay royalties on such revenues. In addition, we make advances on theatrical releases and to certain home entertainment distribution clients for which initial expenditures are generally recovered within six to twenty four months. For the six months ended September 30, 2021 revenues from the sale of digital projections Systems was $7.8 million. For the six months ended September 30, 2022, cash flows used in investing activities consisted of purchases of property and equipment of $0.3 million. For the six months ended September 30, 2021, cash flows used in investing activities consisted of purchases of property and equipment of $81 thousand and the purchase of two businesses of $4.8 million related to the business combination for FoundationTV and the asset acquisition for Bloody Disgusting. For the six months ended September 30, 2022, cash flows provided by financing activities consisted of $0.4 million in payment of notes payable and $3.6 million in proceeds from the revolving credit agreement. For the six months ended September 30, 2021, cash flows used in financing activities consisted of payments of the remaining outstanding balances of approximately $7.8 million in notes payable and $2.0 million in Credit Facility. Contractual Obligations The following table summarizes our significant contractual obligations as of September 30, 2022: Payments Due Contractual Obligations (in thousands) Total 2023 2024 & 2025 2026 & 2027 Thereafter Operating lease obligations $ 616 $ 127 $ 489 $ — $ — We may continue to generate net losses for the foreseeable future primarily due to depreciation and amortization, marketing and promotional activities and content acquisition and marketing costs. Certain of these costs, including costs of content acquisition, marketing and promotional activities, could be reduced if necessary. We feel we are adequately financed for at least the next twelve months; however, we may need to raise additional capital for working capital as deemed necessary. Failure to generate additional revenues, raise additional capital or manage discretionary spending could have an adverse effect on our financial position, results of operations or liquidity. Seasonality Revenues from our Cinema Equipment Business derived from the collection of VPFs from motion picture studios are seasonal, coinciding with the timing of releases of movies by the motion picture studios. Generally, motion picture studios release the most marketable movies during the summer and the winter holiday season. The unexpected emergence of a hit movie during other periods can alter the traditional trend. The timing of movie releases can have a significant effect on our results of operations, and the results of one quarter are not necessarily indicative of results for the next quarter or any other quarter. While Content & Entertainment Business benefits from the winter holiday season, we believe the seasonality of motion picture exhibition, is becoming less pronounced as the motion picture studios are releasing movies somewhat more evenly throughout the year. Off-balance sheet arrangements We are not a party to any off-balance sheet arrangements other than as discussed in Note 2 – Summary of Significant Accounting Policies, Basis of Presentation and Consolidation and Note 3 - Other Interests to the Condensed Consolidated Financial Statements (Unaudited) included in Item 1 of this Quarterly Report on Form 10-Q, we hold a 100% equity interest in CDF2 Holdings, which is an unconsolidated variable interest entity (“VIE”), which wholly owns Cinedigm Digital Funding 2, LLC; however, we are not the primary beneficiary of the VIE. 45 Impact of Inflation The impact of inflation on our operations has not been significant to date. However, there can be no assurance that a high rate of inflation in the future would not have an adverse impact on our operating results.